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一直作(🍅)為米路斯(🆓)．科曼劇(jù )本(📼)鐵三(sān )角（(🍩)另一位是(🕋)帕(😘)培錫，也是本(🤢)片編劇之一）成(🆖)員(🥈)的艾雲．巴薩(🏴)，當然也走低(dī )度戲劇路線。同(❣)是音樂家的(😎)彼德與卡洛(luò )老友重逢，生(shēng )活狀(zhuàng )況(kuàng )大(dà )不(🙍)同，你(nǐ )(🔲)有伴侶(lǚ )我有家庭，然而都(🎫)有說不出的不(bú )明朗，唯(wéi )有(yǒu )以酒與音(yīn )(😱)樂代(🤷)替口(kǒu )水。全(quán )片推展不(🔩)問目(🌚)的，只(🛑)在(⏯)剎那間的(de )意(💱)圖，行(háng )行企企比起科曼更義無反顧(gù )，卻有生活(huó )淡如流(🙀)水的詩意(🎾)和繆思(sī )(🍄)，叫觀(🤷)眾聯想(xiǎng )到(dào )二十(shí )年後(😍)的(de )(💠)伊力(lì )．盧(lú )馬。巴薩鍾愛(🚴)音(yīn )樂的程度不下於文字和電影(yǐng )，古典音樂與民(🚗)間音樂於全(quán )片迴轉(zhuǎn )迴盪(🐨)，難怪成了奇斯洛夫斯基(🐩)十大(😝)心愛電影之一。 (📧) (🔍) (😙)康(🤥)城影展青(👌)年評審(🥤)團(tuán )獎(jiǎng )，美國(guó )全(🐞)國影(yǐng )評人協會(huì )特別(bié )獎(🔙) 這(zhè )部1966年的珍品，是捷克新浪潮短暫生命(mìng )(🍺)中最佳(jiā )作品之一(🧘)。成名音樂家到小鎮探(🚤)訪舊同學(🏸)，舊同學(xué )是個窮音樂(🐈)教師(🍯)，有時在喪禮上吹奏(💛)樂曲。平凡的素材在(zài )巴素手裡，變出(chū )風趣復(👆)罕見的旋律，一部憂(🎆)鬱的喜(🍝)劇，或灰色(sè )喜(😼)劇。 - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🐃) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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